Learn How to Draw Hair With Step by Step Instructions
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It clearly doesn't make sense to draw every strand of hair. Not only would this take an incredible amount of time to accomplish, but it also would lead to very unnatural looking hair. We'll define the volume of these forms in the next step, but for now we'll concentrate on defining the shapes. As we draw the contour lines, defining the overall shape of the hair, we'll also draw smaller shapes for clumps of hair. Hair strands naturally collect and create a form (which is what I am referring to as a "clump").
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All of the examples in this tutorial will use fairly generic lighting with no particularly strong one directional light source. To avoid your drawing getting overly clutter erase the parts of the head covered by the hair after you are done. Begin the drawing by first outlining the entire shape of the head (including the ears). Doing so will help you better estimate the volume of the hair. To find your own perfect way of drawing hair, experiment with different techniques and see what works best for you. At last, it is time to go over the illustration in ink.
Simplifying the Complex and Creating Flow
Smooth transitions between values with even gradations often leads to the illusion of a smoother surface texture. With the powdered graphite and your brush, tap around the head to define the hair’s size and shape. Use significant circular movements to give it a “cloudy” effect. Hair is affected by gravity, so the hair on the sides tends to fall while the hair on top of the head goes slightly up and then down or to the sides.
Step 19: Draw loose hairs
This will help to create the impression of softness and smooth any inconsistencies produced by the softer graphite applications. We also know that areas that recede or are blocked from receiving light should be darker in value. Repeat the steps above for the other side, although symmetry looks nice. The beauty of hair lies in imperfections and asymmetry, so try to keep both sides different. You can use the diagram below if you’re feeling lost on where to put the darkest values. For this part, we’ll be using the diagram from section 1 and following the direction of the hair when pulled back.
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Decide where you want the light to fall and then outline those areas using the shadow lining technique. Going to the lighter parts of the hair and adding a few extra touches there will add even more realism to you hair sketch. For the purposes of this drawing the light falls from the left, so carefully apply some black strokes there to create the illusion of volume. We will start by laying out the overall structure of the hair.
Again, use light pencil strokes to add in additional strands. Make sure to vary the thickness and curl of the strands to create a realistic look. To add texture to the hair, start by drawing the strands of hair. For short hair, you will want to use a pencil to draw wavy lines. But, you can also use a pen or marker to draw straight lines.
Step Two: Create the shape of the hair
Then progressively cover the lighter lines with darker shading. Try to fully develop the pattern with a pencil before beginning to shade with a pen. Leave areas where the hair catches the light clear and only add shading there very selectively near the end of the process. These lines should be drawn gradually and meticulously in a twisting motion. The curls are created by this little twisting motion. Take care to add a bit more pressure to your strokes when you draw these twists.
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Section 3.- How to Draw Straight hair
Make it very, very light since we’re going to only use it as a reference. Haircan be thought of as various forms depending on the hairstyle. Forexample, some curls can be thought of as cylinders, and can be renderedin much the same way. Notice that both the curl and the cylinder have ahighlight, halftone and shadow area.
Afterward, fill in the shapes of the hair with varying lines to give it texture, volume, and depth. Next, add two thick locks of hair to frame the face. Start these voluptuous shapes at the hair part and move downwards in undulating, ribbon-like shapes. The more you add, the denser the hairstyle will look. Be patient and understand that drawing hair is slow process.
I discuss how to use shape to create a likeness of your subject and present a shape exercise in Lesson 2 of my free Mini-Course. Try to follow your intuition when drawing shadows and highlights for hair. “Lighting” is an extensive and super interesting topic, and I am afraid that what I explain here is not enough to cover it!
To finish up, we'll add a few stray hairs that extend from the body of the hair. These stray hairs can be made with quick deliberate marks with a sharpened HB pencil. We'll do our best to preserve the areas of strongest highlight, allowing the white of the paper to do the work for us.
These stray hairs can be added after the general shape has been drawn, but more on this in a moment. But by breaking down the steps, we can simplify the process a bit. If you know how to see hair in terms of shapes, lines, and values then it becomes just like drawing anything else. Hair is soft, but there should be some indication of linear texture. To create the impression of linear texture, we'll apply the medium using directional strokes that flow over the form of each "clump" of hair. These lines are sometimes referred to as cross contour lines.
In dark areas, don’t be afraid to press hard (I used a 6B to 8B for these areas). To bring out highlights, flatten your kneaded eraser and swipe it in the desired direction. The eraser will become too dirty after the first swipe, so fold it in and flatten after each stroke.
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